In this presentation, we will explore the philosophical and political affinities between the composer Richard Wagner and the militant philosopher Mikhail Bakunin, beginning with their joint action on the barricades of revolutionary Dresden in 1849. We consider Wagner’s Ring cycle as depicting the Proudhonian idea of theft and the figures of Siegfried and Brünnhilde as Bakuninist-Feuerbachian heroes. By examining Wagner and Bakunin’s common anti-Semitism, feminism and anti-feminism, and revolutionism, we discuss how anarchism and anti-theism influenced the creation of The Ring as an epic opera that depicts the rise and fall of capitalism.
Nevertheless, in light of the anti-Semitism that drives The Ring, we cannot overlook the undeniable Aryanist, national-anarchist, and proto-fascist aspects of Wagner’s approach, which represent disturbing lines that connect typically left-wing notions of anti-statist and anti-capitalist upheaval with ultranationalist myth. To delve into these matters, we will consider how the fascist creep applies to Wagner and Bakunin and compare the “dangerous minds” of Friedrich Nietzsche and Martin Heidegger to those of the pair in question.