Performing artists and authors face a matrix of impediments to success: barriers to publicity and venues, theft of intellectual property, poverty despite the "day jobs" that inhibit productivity, directors’ couches and willing exploitation, and art for investment rather than insight. The Matrix Trilogy (1999-2003) planted in the public mind the reality of an invisible, overarching financial structure that frustrates the idealism of artists and other altruists in their struggle to reveal truths and improve life on Earth. The most renowned of politically engaged artists, anti-war hero John Lennon, provided insight into his dark inner world while targeted. What might he have done, had he lived? Now, anodyne creations and variations on past successes are valued over new and vital political-artistic actions. How can truth-seeking artists not only connect with a hungry public to be rewarded for their work, but also protect themselves? In this panel, targeted and marginalized artists share their experiences, strategies, workarounds, and successes.